sábado, 9 de enero de 2021

GRAMMY Nominee Papo Vázquez released Chapter 10: Breaking Cover with The Mighty Pirates Troubadours

GRAMMY Nominee Papo Vázquez released Chapter 10: Breaking Cover with The Mighty Pirates Troubadours

Known for an iconic career that spans 40 years, GRAMMY-nominated Latin music luminary Papo Vázquez is pleased to release Chapter 10: Breaking Cover, a new album with his Mighty Pirates Troubadours. Due out on November 13th via the artists own Picaro RecordsChapter 10: Breaking Cover features a varied program of Vázquez’s original music that displays his signature fusion of jazz and Puerto Rican folkloric music. On his tenth release as a leader, Vázquez swiftly demonstrates why he is one of the leading voices of the contemporary Latin jazz scene.  

Vázquez was described by The New York Times as “brash and precise... helping to drive the music, giving it snap and ferocity.” His deep knowledge of the indigenous music of the Caribbean peoples, intertwined with his decades long dedication to jazz (sparked by a love for John Coltrane and J. J. Johnson) affords him to be an expert in fusing these two idioms. On Chapter 10: Breaking Cover, Vázquez’s exquisite musical breadth is on display as he seamlessly moves through various rhythms (Holande, Bomba, Cuembe) and styles (Jazz, Latin Jazz), fusing them together as only he can. 

The music on Chapter 10: Breaking Cover is informed by his eclectic career that began in his native Philadelphia. Vazquez spent his early years in Vega Baja  Puerto Rico before settling back in Philly, where he was raised. After earning his stripes with local Latin bands, the precocious musician moved to New York at age 17. He quickly ascended the musical ranks as he built up a robust resume with legendary salsa stars such as The Fania All-Stars, Ray Barretto, Willie Colón, Grupo Folklórico y Experimental Nuevayorquino, Eddie Palmieri, Larry Harlow, and Hector LaVoe. He cut his teeth at New Rican Village, a tiny artist-run space in the East Village, where he and other adventurous players would jam without restrictions, reframing Latin music within jazz and vice versa.  

Photo by Michael Benabib

Concurrently, Vázquez’s reputation as a jazz musician grew, as he became a leading player in New York’s burgeoning Latin jazz scene of the late 1970’s. He was a founding member of Jerry Gonzalez's Fort Apache Band and Conjunto Libre, as well as Puerto Rico’s popular Latin fusion band Batacumbele. With Batacumbele he performed, composed, arranged and recorded on several albums from 1981 to 1985. During this time, Vázquez first began experimenting with “bomba jazz”; a fusion of jazz and traditional Puerto Rican bomba rhythms. Upon his return to New York, he joined Tito Puente's Latin Jazz Ensemble, traveling with them as principal trombonist, and toured Europe with Dizzy Gillespie's United Nations Orchestra.

For the next two decades, Vázquez appeared on countless albums as a recording artist. Among the dozens are Wayne Shorter’s Alegria; Ruben Blades’ Amor y Control, Antecedente, and Caminando; Dave Valentin’s Tropic Heat; Bebo Valdez’s Bebo de Cuba; Arturo O'Farrill’s Bloodlines; and many, many others. In 1993, Vázquez released his debut as a leader, Breakout, and in 1999 and 2000, he released At the Point, Vol. 1 and subsequently Vol. 2., with the group that would eventually become known as the Mighty Pirates Troubadours. In 2008, he released Marooned/Aislado with the expanded Pirates Troubadours (a 19-piece Afro-Puerto Rican Jazz Orchestra) which went on to receive a GRAMMY nomination for Best Latin Jazz album. Chapter 10: Breaking Cover follows the group’s 2015 album Spirit Warrior, which was referred to as “a superb album by one of the most expressive voices in Latin music” by Raul da Gama of Latin Jazz Network. 

Vázquez’s latest release is a true product of the COVID 19 era. Conceived before the coronavirus was on anyone’s mind, Vázquez plans to record this past April were derailed when lockdown regulations came into effect. Finally in June, when gatherings of 25 people or less were approved in the tri-state area, Vázquez and his Mighty Pirate Troubadours “broke cover” to rehearse (socially distanced, of course), and eventually record. As writer Ben Ratliff says in his liner notes: “Papo’s music contains a lot of the past, in salsa and jazz and jíbaro music and bomba and plena; as one of this country’s greatest musicians, he has a lot to summarize. But the circumstances behind this serious and wise record—as well as the life- force of Papo’s playing, arranging, composing, and the decisive way he moves through the world—inevitably convey the present.”

Chapter 10: Breaking Cover not only displays Vázquez’s mesmerizing facility on his instrument, but also his prowess as a composer and arranger. His talents in this arena have long been admired; he was the first artist to receive a composer’s commission (Iron Jungle) for the Afro-Latin Jazz Orchestra, then a resident orchestra at Jazz at Lincoln Center. His first classical composition, “Palomita – Afro-Caribbean Suite” (which to this date, the first time Bomba and Plena were performed with a Chamber Orchestra) in the USA, was commissioned by the Bronx Arts Ensemble and premiered at the Hostos Center for the Arts and Culture in the Bronx in 2000. In 2009, Vázquez premiered his composition “Oasis” with the Bronx Arts Ensemble which then expanded to the Oasis Project.  In 2010, the Oasis Project premiered at the renowned Pregones Theater and earned him a prestigious honor from the National Endowment for the Arts (NEA) Master Artist award from Pregones Theater.   He was commissioned by Wynton Marsalis to compose music for Jazz and Art series, conducted and performed with JALC orchestra in August 2019.

Vázquez’s forthcoming release features a varied program. As Ben Ratliff says in his notes: “El Cuco/The Boogeyman” is built on a piano riff Papo wrote a few years ago; he realized that it could stand for the knock on our psychic doors we all started hearing in March. It isn’t possible to think of “Shadows,” the ballad, as unrelated to those lost during the first spike of the virus. In the rumba “No Te Rindas” (“Don’t Give Up”) the vocalist Jose Mangual Jr., who worked with Vázquez in Hector Lavoe’s band back in the 1970s, improvises in honor of departed rumberos. One’s past is one’s present, too.

Celebration and togetherness can be imagined: the journey of “Mr. Babu” from Africa, the killer-elite dancers conjured in “New York Latin Jazz Mambo,” the Puerto Rican family music of “Saludo Campesino” and “Fiesta En La Sanse,” named after the carnival in Old San Juan, suggests the party we will have when this is over.

The moniker “Mighty Pirates Troubadours” takes inspiration from Vázquez’s family - his father, grandfather and uncle were troubadours who regularly filled his living room with música jíbara; a traditional style of folk music that grew in the mountain regions of Puerto Rico. The current iteration of the septet includes Vázquez at the helm, with saxophonist Ivan Renta, pianist Rick Germanson,bassist Ariel Robles, drummer Alvester Garnett and percussionists Carlos Maldonado and Reinaldo DeJesus. Augmenting the group are invited guests: vocalist and percussionist Jose Mangual Jr., saxophonist Sherman Irby,bassist  Dezron Douglas, guitarist Antonio Caraballo and trumpeter Antoine Drye.

jueves, 7 de enero de 2021

Puerto Rico será sede del primer festival internacional de jazz de 2021.

Puerto Rico será sede del primer festival internacional de jazz de 2021. 

El Global Music Venue Jazz Fest se llevará a cabo de manera virtual del 15 al 17 de enero y contará con la participación de grandes exponentes de este género.

El bajista John Patitucci, la baterista Terry Lyne Carrington, los guitarristas Peter Bernstein, Lage Lund y Gilad Hekselman, las saxofonistas Melissa Aldana y Alexa Tarantino, los pianistas Larry Goldings, Kenny Werner, Sullivan Fortner y Tom Oren, son los invitados de lujo de este festival. El saxofonista Ben Solomon y la trompetista Milena Casado tendrán a cargo la apertura de las presentaciones de Alexa Tarantino y Melissa Aldana respectivamente.


 

Además de la participación musical, algunos ofrecerán clases magistrales exclusivamente para estudiantes y profesores de música en Puerto Rico y otras clases abiertas a estudiantes subgraduados de otras instituciones. También algunos de los artistas tendrán espacios para preguntas y respuestas después de su presentación musical.



“Nuestra intención es llevar entretenimiento a los hogares y, al mismo tiempo, promover la educación musical de los jóvenes en Puerto Rico. Además, que tengan la oportunidad de compartir directamente de manera virtual con estos importantes músicos.”, expresa Lolivone de la Rosa, productora del festival y guitarrista becada en Berklee College of Music.



Los boletos para el festival tienen un costo de $15.00 dólares por concierto. Las clases magistrales de Peter Bernstein y Alexa Tarantino son gratuitas. Para compra de boletos e información adicional, pueden visitar  www.globalmusicvenue.com.



A continuación, el calendario del Global Music Venue Jazz Fest:

 

Viernes 15 de enero

3:00 PM (EST) - Peter Bernstein (guitarrista) – Clase Magistral Exclusiva para estudiantes y educadores de los programas de jazz en Puerto Rico. Presentador: Fernando Mattina

4:00 - 4:30 PM (EST) – Ben Solomon (saxofonista)

4:30 PM (EST) – Alexa Tarantino (saxofonista) - Clase Magistral abierta para estudiantes de programas de música de cuarto año que estén por graduarse de la universidad y quieran comenzar una carrera en música.

6:00 PM (EST) – Gilad Hekselman (guitarrista) - Solo Concierto y Sección Preguntas y Respuestas

 

Sábado 16 de enero

3:00 PM (EST) – Lage Lund (guitarrista) - Solo Concierto y Sección Preguntas y Respuestas

4:30 PM (EST) – Terri Lyne Carrinton (baterista) y John Patitucci (bajista) – “Rhythm Talks” Sección Preguntas y Respuestas

5:30 PM – 6:00 PM (EST) Milena Casado (trompetista)

6:00 PM (EST) – Melissa Aldana (saxofonista) - Concierto ft. Pablo Menares (bajista) y Sección Preguntas y Respuestas

8:00 PM (EST) – Larry Goldings (pianista) - Solo Concierto y Sección Preguntas y Respuestas

 

Domingo 17 de enero

3:00 PM (EST) – Tom Oren (pianista) - Solo Concierto y Sección Preguntas y Respuestas

5:00 PM (EST) – Kenny Werner (pianista) - Solo Concierto y Sección Preguntas y Respuestas

8:00 PM (EST) – Sullivan Fortner (pianista) - Solo Concierto y Sección Preguntas y Respuestas

 

John Patitucci “Irmãos de Fé”:

https://www.youtube.com/watch?v=h4Ot6H5LSCc

 

Larry Goldings “Scary Goldings”:

https://www.youtube.com/watch?v=RT39bmZ-vaw