miércoles, 2 de abril de 2025

David Rivera among the JJA 2025 Jazz Heroes -- 29 activists, across North America

Jazz musicians who double or triple educators, presenters and support-group organizers. Festival producers from Tucson to Northhampton, from the San Diego-Tijuana Borderland to Guelph, Ontario. The writer and scholar who founded Jazz Appreciation Month, the Jazz Foundation of America’s Executive Director, and the woman whose persistence has paid off in greater opportunities and visibility for other women as players and stars.

These are some of the 29 Jazz Heroes from across North America that the Jazz Journalists Association announces today in its 25th annual recognition of “activists, advocates, altruists, aiders and abettors of jazz.” See them all at JJAJazzAwards.org/2025-jazz-heroes.
 
Since 2001 the JJA has identified and hailed individuals from local jazz communities across America who go beyond their basic responsibilities to sustain and expand on musical activities. This year’s Jazz Heroes include:
 
  • Bobby Bradford, Los Angeles brassman who at age 90 continues to perform and lecture despite losing his home in the Altadina fires;
  • Julián Plascencia, co-founder of the San Diego-Tijuana International Jazz Festival;
  • John Edward Hasse, biographer of Duke Ellington, Wall Street Journal contributor, and Emeritus Curator of Music at the Smithsonian Institution in Washington, D.C., where 30 years ago he initiated April across the globe as Jazz Appreciation Month;
  • Joe Petrucelli of the Jazz Foundation of America, who’s partnered with the Mellon Foundation on the new Jazz Legacy Fellowships for lifetime achievements;
  • Ellen Seeling, now based in the Bay Area, whose steadfast playing -- she broke the Latin Jazz gender biases -- and advocacy for women won establishment of blind auditions for the Jazz at Lincoln Center Orchestra, and ever more recognition that women can and do play jazz -- well!
Trumpeters abound this year: Besides Bradford and Seeling, there’s Gregory Davis of the Dirty Dozens Brass Band, booker of the New Orleans Jazz & Heritage Festival contemporary jazz stage, and Mark Rapp, whose ColaJazz non-profit has amped up the scene in Columbia, South Carolina. But rhythm rules: Drummer-percussionist Jazz Heroes include Alan Jones of Seattle, Kenny Horst of Minneapolis-St. Paul, Clare Church (also a saxophonist, vocalist and partner in a Denver metro venue with her husband, Pete Lewis), David Rivera of San Juan, Puerto Rico and washboard enthusiast Jerry Gordon of New York’s Capital District. All teach, mentor, advise and/or run jazz support organizations.
 
Vocalists Karla Harris (Atlanta), Pamela Hart (Austin) and Kim Tucker (Philadelphia) do a lot more than simply -- but beautifully -- sing. Stephanie Matthews (Columbus, Ohio) has adapted STEM (Science, Technology, Engineering, Mathematics) into STEAM -- adding “A” for “Arts.” Brinae Ali of Baltimore turns tap-dancing into a multi-dimensional modern form. John Foster is invaluable to operations of the Jazz Institute of Chicago. Robert Radford has raised significant funds for Seattle jazz spheres. Amber Rogers and Daniel Bruce started a Cleveland jazz fest from scratch. And so on. The personality-profiles posted with portraits of each of the JJA’s 29 Jazz Heroes detail how they’ve distinguished themselves by leaning in to what jazz can do to inspire creativity, promote fellow-feeling and enhance life. 

Others are:
 
  • Sheila Anderson, the Hang Queen of WBGO-FM
  • Ruth Griggs, Northhampton Jazz Festival
  • Ajay Heble, International Institute for Critical Studies in Improvisation
  • Khris Dodge, Tucson Jazz Festival
  • Ralph Armstrong, Detroit-boosting bassist 
  • Wes Lowe, beloved West Palm Beach jazz teacher) 
 
The JJA believes Jazz Heroes are essential to the health of the overall jazz ecosystem, and supports local efforts to celebrate them. Details to follow for the JJA’s online Heroes event, April 17th, and local presentations of Jazz Hero certificates.


About David Rivera 


Percussionist and educator David Rivera is one of the musicians with the most experience and music knowledge in Puerto Rico. He studied at the Music Conservatory of Puerto Rico and Universidad Interamericana and has worked with the best musicians and ensembles here, including José Negroni, Batacumbele, Vicentico Valdés, Sinfónica de Puerto Rico, Orquesta Arturo Somohano, the Mandy Vizoso, Pedro Rivera Toledo, Cuco Peña, Panamericana Orchestra, University of Miami, Cesar Concepción, William Cepeda, Luís Espindola and Jesús Caunedo, among the jazziest of them. He’s performed at the Puerto Rico Heineken Jazz Fest, with Tropical People in 1991 and 1994, and with Denis Mario y Kobana Negra in 2009.

But even with his vast experience as a professional musician, Rivera is more than anything a consummate and highly dedicated educator. Since the 1980s, he’s taught at the Music Conservatory of Puerto Rico, Universidad Interamericana, Universidad de Puerto Rico and Escuela Libre de Música Ernesto Ramos Antonini, San Juan.

The successes of many of his students as music professionals testify to his effectiveness. Since 2015, Rivera has directed the Escuela Libre students’ ELMERA Jazz Ensemble. There was no jazz education program when he started there, but at the 2021 National Jazz Festival Competition, Philadelphia ELMERA received first place standing as a group, and was recognized for three Outstanding Musicians: Yomar Ramirez, percussion and vibraphone; Sofia Ramos, bass, and Fabiola Muñoz, cuatro.

That was Fabiola’s third win as Outstanding musician — she is now playing in Oscar Hernández’s Spanish Harlem Orchestra. And in 2021 Rivera himself was honored as Teacher of the Year.

No one in recent memory has done more for jazz education in Puerto Rico. Currently at the University of Puerto Rico, Río Piedras, Jazz Hero David Rivera is still educating the next generation jazz masters.

— Wilbert Sostre

author of Boricua Jazz, radio host at Jazzeando & Puerto Rico Jazz

domingo, 30 de marzo de 2025

Noche memorable revisitando el legado musical de Charlie Chaplin

Noche memorable revisitando el legado musical de Charlie Chaplin 

Reseña Phillippe Quint Charlie Chaplin’s Smile

En otra excelente producción de Pro Arte Musical, el pasado sábado 22 de marzo en la Sala Pablo Casals del Centro de Bellas Artes, los asistentes se deleitaron con un banquete musical a cargo del virtuoso violinista Phillippe Quint honrando el legado de Charlie Chaplin en su faceta de compositor.

Con un acompañamiento excepcional por el pianista Jun Cho, el violín de Quint llevó a los presentes en un viaje de recuerdos y emociones, mientras se proyectaba en el escenario momentos de películas y de la vida del gran actor del cine mudo Charlie Chaplin.

Durante el concierto, Quint, relató anécdotas sobre la vida de Chaplin, quien fue el compositor de gran parte de la música para sus películas. 

El perfecto balance de sensibilidad y virtuosismo hacen del violinista Phillippe Quint, el interprete ideal para la música de Chaplin. Música de gran contenido melódico, y sentimiento, con influencias de la música clásica (Tchaikovsky), el Jazz (Gershwin), y del tango.

En ocasiones, con un gran sentido del humor de parte de Phillippe Quint y Jun Cho, el concierto incluyó canciones de algunos de los clásicos del cine de Chaplin; “City Lights”, “The Great Dictator”, “Limelight” y “Modern Times”. Y por supuesto no podía faltar, tal vez la composición más reconocida de Chaplin, “Smile”. Todas magistralmente interpretadas por estos dos Maestros.

Sin duda otro gran acierto y una noche memorable en otra  producción de Pro Arte Musical.


jueves, 27 de marzo de 2025

The Global Celebration of International Jazz Day 2025 Culminates in Abu Dhabi, a UNESCO Creative City of Music

The Global Celebration of International Jazz Day 2025 Culminates in Abu Dhabi, a UNESCO Creative City of Music


Paris, Washington, D.C and Abu Dhabi – The 2025 edition of International Jazz Day will be celebrated in more than 190 countries on April 30, with Abu Dhabi selected as the Global Host City. Organized by UNESCO and the Herbie Hancock Institute of Jazz, this celebration will feature concerts and educational and cultural initiatives. 


“We are thrilled to celebrate this International day on a high note in the UNESCO Creative City of Music Abu Dhabi. This edition will highlight the city’s rich tapestry of creativity and cultural heritage while showcasing jazz’s ability to connect communities and promote dialogue and peace across continents,” declared UNESCO Director-General Audrey Azoulay


Abu Dhabi (United Arab Emirates) will serve as a vibrant center of this worldwide celebration. A five-week, citywide series of jazz performances, education programs and community events will take place in the city, including the globally broadcast International Jazz Day 2025 All-Star Global Concert on April 30 at Etihad Arena, the region’s largest indoor entertainment venue.


Artists performing in the 2025 All-Star Global Concert.

Led by iconic pianist Herbie Hancock and hosted by Academy Award-winning actor Jeremy Irons, this concert will bring together an extraordinary lineup of renowned jazz, blues, classical, and hip-hop artists from around the world. Among those set to perform: Arqam Al Abri (UAE), John Beasley (USA), Dee Dee Bridgewater (USA), A Bu (China), Terri Lyne Carrington (USA), Kurt Elling (USA), Ruthie Foster (USA), José James (USA), Rhani Krija (Morocco), John McLaughlin (UK), Hélène Mercier (France/Canada), Marcus Miller (USA), Linda May Han Oh (Australia), John Pizzarelli (USA), Dianne Reeves (USA), Arturo Sandoval (USA), Naseer Shamma (Iraq), Danilo Pérez (Panama), and Varijashree Venugopal (India). Additional artists will be announced in the coming weeks. 


“Jazz has always been about bringing people together, breaking barriers, and inspiring creativity across cultures. International Jazz Day reminds us that music has the power to transcend borders, foster dialogue, and spark joy and hope,” according to Herbie Hancock


Concert tickets are available here. The concert will also be streamed live to millions around the world via UNTV, UNESCO, jazzday.comFacebookYouTube and other international media partners. 


International Jazz Day 2025 will feature thousands of events worldwide in small towns and major cities, from intimate performances to large-scale concerts at leading cultural centers. Artists, educators, and institutions across the globe will organize masterclasses, jam sessions, panel discussions, and educational workshops, reflecting the profound impact of jazz as a unifying force.


A full month of events in Abu Dhabi 


Building on the momentum of International Jazz Day, Jazz Month Abu Dhabi will extend the global festivities and reinforce jazz’s presence in the region. It will include live performances, pop-up concerts, workshops, artist residencies, and educational events, underscoring jazz’s connections to diverse musical traditions and artistic disciplines. 


“As a UNESCO City of Music, hosting International Jazz Day underlines Abu Dhabi’s commitment to cultivating cultural unity, fostering peace and understanding, and celebrating established and emerging musicians and their remarkable talents. Jazz is a powerful tool for global connection and social harmony, and we are proud that our residents and visitors from around the world can experience the unique blend of cultural understanding, creativity and inclusivity that defines the spirit of International Jazz Day,” said His Excellency Mohamed Khalifa Al Mubarak, Chairman of DCT Abu Dhabi.


Activities will be held at major cultural and educational institutions including Louvre Abu Dhabi, Berklee Abu Dhabi, and New York University Abu Dhabi, along with hospitals, senior centers, children’s libraries, and schools. Special performances will highlight jazz’s integration with traditional instruments such as the oud, qanoon, and ney, showcasing the ongoing dialogue between jazz and local cultural expressions. 


This year’s International Jazz Day also coincides with the Culture Summit Abu Dhabi, a global, annual gathering that brings together a collective of creative thinkers, decision-makers, artists, designers, changemakers, and leaders from the culture and creative industries. The Summit will include special programs, including panels and conversations with Herbie Hancock and other renowned artists.


Major global support for International Jazz Day 2025 is provided by the Doris Duke Foundation and United Airlines, the International Jazz Day Global Airline Partner.


To learn more about International Jazz Day 2025 and register events on the official website, visit www.jazzday.com or www.unesco.org/en/international-jazz-day.


About International Jazz Day


Established by the General Conference of UNESCO in 2011 and recognized by the United Nations General Assembly, International Jazz Day brings together countries and communities worldwide every April 30. The annual International Jazz Day celebration highlights the power of jazz and its role in promoting peace, dialogue among cultures, diversity and respect for human dignity.


International Jazz Day has become a global movement reaching more than 2 billion people annually on all continents through education programs, performances, community outreach, radio, television and streaming, along with electronic, print and social media. The Herbie Hancock Institute of Jazz is the lead nonprofit organization charged with planning, promoting and producing International Jazz Day each year. 


About UNESCO


With 194 Member States, the United Nations Educational, Scientific and Cultural Organization contributes to peace and security by leading multilateral cooperation on education, science, culture, communication and information. Headquartered in Paris, UNESCO has offices in 54 countries and employs over 2300 people. UNESCO oversees more than 2000 World Heritage sites, Biosphere Reserves and Global Geoparks; networks of Creative, Learning, Inclusive and Sustainable Cities; and over 13 000 associated schools, university chairs, training and research institutions. Its Director-General is Audrey Azoulay.


“Since wars begin in the minds of men, it is in the minds of men that the defenses of peace must be constructed” – UNESCO Constitution, 1945. 


More information: www.unesco.org 


About Herbie Hancock Institute of Jazz


The Herbie Hancock Institute of Jazz preserves, perpetuates and expands jazz as a global art form, and utilizes jazz as a means to unite people of all ages, backgrounds and nationalities. The Institute is a nonprofit education organization with a mission to offer the world’s most promising young musicians college level training by internationally acclaimed jazz masters and to present public school music education programs for young people around the world.


More information: www.hancockinstitute.org

domingo, 23 de marzo de 2025

Salsa de la Bahia Vol. 3: Renegade Queens explores the largely untold story of the San Francisco Bay Area’s pioneering women of Latin jazz

Salsa de la Bahia Vol. 3: Renegade Queens explores the largely untold story of the San Francisco Bay Area’s pioneering women of Latin jazz

Available March 21, 2025 via Patois Records

With the first two volumes of Salsa de la Bahia, arranger and trombone maestro Wayne Wallace and filmmaker Rita Hargrave provided a detailed history of the San Francisco Bay Area’s vibrant and oft-overlooked Latin jazz scene. Track by track the albums make a powerful case that the region has nurtured a treasure trove of artists drawing on a singular blend of influences from across the Caribbean and Latin America.
 
Scheduled for release on Wallace’s Patois label on March 21, 2025, the double album Salsa de la Bahia Vol. 3: Renegade Queens shines a bright and necessary spotlight on the women who muscled their way into this scene with a combination of talent, commitment, imagination and moxie. From Venezuela, Cuba, Chile and Colombia to the thrumming creative hub of San Francisco’s Mission District, the album brings together a dazzling cast of artists changing the face of Latin jazz and related idioms.
 
Hargrave credits Bay Area DJ and journalist Jesse “Chuy” Varela, who contributed cogent Renegade Queens liner notes, with pressing her to pursue the project after she’d finished her documentary The Last Mambo (which led to original Salsa de la Bahia albums). “He said he’d done a show on women in Latin jazz for Women’s History Month and got such a big response,” she recalls. “He felt there was a real hunger for that. He said, ‘When are you going to do Salsa de la Bahia Vol. 3?’ I had done the background work, but it turned into a much more difficult dive.”

With documentation on the pioneering women of salsa and Latin jazz thin or nonexistent, Hargrave found few recordings with women as leaders recorded before the turn of the century. Renegade Queens captures the accelerating impact of female players on the Bay Area scene with a series of thrilling performances. But more than a deep dive into the archives, Renegade Queens is a present-tense celebration. Both discs open with new music showcasing a brilliant cross-section of women players.

Arranged by Wallace, “We Were Born to Drum” is a surging big band mambo featuring vocals by powerhouse Christelle Durandy singing lyrics by poet supreme Avotcja. Many of the players on the performance are featured throughout the anthology, like saxophonist/flutist Mary Fettig, percussionist Michaelle Goerlitz, and the mother and daughter tandem of vocalist Sandy and vocalist/trombonist Natalie Cressman. Similarly, the second disc opens with “La Mensajera,” a new Wallace salsa number that showcases the instrumental prowess of veteran improvisers such as violinist Sandi Poindexter, tenor saxophonist Jean Fineberg, and trumpeter Marina Garza, who led the talent-packed 1990s all-woman band Orquesta D’Soul.  
 
The two new tracks also highlight the central role that Wallace has played in producing and championing women artists. Hargrave describes the recording sessions as “a love fest.” So many people wanted to work with Wallace, who mentored generations of musicians. It’s no coincidence that several of the artists featured on Renegade Queens released albums on Wallace’s Patois label. Multi-instrumentalist and Latin jazz expert Roger Glenn, percussionist John Santos and flutist/arranger John Calloway’s names also came up a lot, she says. The Latin jazz Youth Ensemble of San Francisco, La Peña Cultural Center in Berkeley, and Jazz Camp West were also cited as invaluable relationship proving grounds.

Each piece on Renegade Queens opens a window to a extraordinary musical realm. Here are some of the highlights. Vivacious Afro-Colombian vocalist Xiomara Torres is featured on “Me Quedo Contigo” (“I Will Stay With You”), the opening track from her 2022 debut album under her own name, La Voz Del Mar. The richly orchestrated salsa dura arrangement by vibraphonist Dan Neville effectively supports an artist who has drawn international attention to the unique folkloric culture of Colombia’s Pacific coast.
 
“La Lagrima” (The Tear) is a traditional song from Venezuela’s Caribbean island of Margarita delivered by the singular, Caracas-born vocalist Maria Marquez. Her throaty cello tone caresses the sensuous ballad, which she recorded for her acclaimed 2004 Adventure Music release Princesa De La Naturaleza (Nature’s Princess). The lapidary arrangement features rhythms and percussion instruments from the coast of coast of Venezuela by Venezuelan percussion master Gustavo Ovalles and the cuatro of Jackeline Rago, who’s played a key role introducing Venezuelan rhythms to the Bay Area scene.  
 
The projects earliest piece is “Cosmo” by The Blazing Redheads, an all-female septet that coalesced at the end of the 1980s with a dance-inducing combination of jazz, funk and Latin beats. Composed and arranged by the dynamic percussionist and trap drummer Michealle Goerlitz, the samba-tinged “Cosmo” came out on 1991’s Crazed Women and features a particularly charged flute solo by Donna Viscuso (who’s performed and recorded widely with Jackeline Rago’s Venezuelan jazz projects).

Some three decades later, the femmeton of La Doña (aka Cecilia Cassandra Peña-Góvea) has earned national attention, including Barack Obama listing her song “Penas con Pan” on his 2023 summer playlist. Many of her recent fans don’t know that she grew up playing rancheras, cumbia, and boleros in her Mexican-American family band La Familia Peña-Govea. In something of a programmatic coup, Renegade Queens features the title track of her much-anticipated 2023 release on her Text Me Records, Can’t Eat Clout. An anthem about overcoming doubters and haters, it’s a piece that resounds far beyond the dance floor. In many ways, La Doña speaks to the challenges faced by all the renegade queens.
 
“Women in Latin jazz, they’re a community within a community, a genre within a genre,” Wallace says. “These are national artists who’ve stayed true to the craft and art of making music. We included a variety of styles, because that’s the truth of the Bay Area.”
 

lunes, 10 de marzo de 2025

Pro Arte Musical presenta: Charlie Chaplin’s Smile con Philippe Quint

Pro Arte Musical presenta: Charlie Chaplin’s Smile con Philippe Quint

El espectáculo multimedia honrará el legado musical de Charlie Chaplin quien dejó una marca indeleble en la historia del cine y la música.


San Juan, Puerto Rico | 10 de marzo de 2025– Pro Arte Musical presenta Charlie Chaplin’s Smile con Philippe Quint, un concierto en celebración al legado musical del renombrado cineasta, comediante y compositor, Charles Spencer Chaplin. El evento se llevará a cabo el sábado 22 de marzo de 2025, a las 7:30 p.m., en la Sala Sinfónica Pablo Casals del Centro de Bellas Artes Luis A. Ferré en Santurce.

 

Philippe Quint, elogiado por su lirismo poético y pasión, se destaca como uno de los violinistas más importantes de Estados Unidos, con múltiples nominaciones a los Premios Grammy por sus grabaciones. 'Quint cautiva al público con su estilo único, sus interpretaciones innovadoras del repertorio clásico y su compromiso con la música contemporánea.



Además de ser un virtuoso del violín, pasó su infancia disfrutando de las películas de Charlie Chaplin, convirtiéndose en un verdadero experto. Hoy en día, se esfuerza por resaltar la obra de Chaplin como compositor, quien, además de ser actor y director, escribió la música para muchas de sus películas', señala Karen Schneck-Malaret, directora ejecutiva de Pro Arte Musical.



Las películas de Charles Spencer Chaplin, creadas a principios del siglo XX, abordaron temas políticos y sociales urgentes -como la pobreza, el desempleo, la desigualdad y la inmigración- que aún resuenan profundamente en la sociedad actual. Chaplin utilizó la música como una herramienta poderosa para evocar emociones en sus películas. Su habilidad para combinar imágenes y melodías ayudó a establecer un nuevo estándar para la música en el cine, haciendo que la banda sonora fuera esencial para la narrativa. Para desarrollar el concepto de este concierto multimedia, Philippe Quint, en colaboración con los arreglistas Charles Coleman y Leon Gurvitch, revisaron docenas de composiciones y bandas sonoras escritas por Chaplin para seleccionar las más adecuadas para violín y piano.


Charlie Chaplin’s Smile con Philippe Quint será un espectáculo musical y visual que transportará a la audiencia a los momentos más emocionantes de la vida de Chaplin, salpicada con obras maestras de Debussy, Gershwin, Stravinsky y Brahms, cuyas composiciones inspiraron los comienzos del cine sonoro. Para nosotros en Pro Arte Musical es un sueño presentar a Philippe Quint en este espectáculo especial que ha viajado el mundo, ahora de estreno en Puerto Rico”, añade Schneck.



Philippe Quint nació el 26 de marzo de 1974 en Leningrado, Rusia. Estudió en la Escuela Especial de Música para Superdotados de Moscú, bajo la tutela del violinista ruso Andrei Korsakov, e hizo su debut orquestal a la corta edad de nueve años. Después de emigrar a los Estados Unidos en 1991, obtuvo su bachillerato y maestría en la Juilliard School, graduándose en 1998. Quint se ha presentado junto a orquestas de renombre mundial, como la London Philharmonic Orchestra, la Chicago Symphony Orchestra, la Los Angeles Philharmonic y la Royal Scottish National Orchestra.


Actualmente, toca el violín 'Ruby' de Antonio Stradivari, de 1708, cedido generosamente por The Stradivari Society®. Vive en Nueva York y es ciudadano estadounidense.

 

Lo que distingue a Chaplin de muchos otros grandes comediantes, actores y directores de su época es su increíble capacidad de seguir siendo relevante, sin importar cuánto tiempo haya pasado”, afirma Quint. Al describir el estilo musical de Chaplin, lo compara con el de Mozart “en su gracia y encanto, que hablan directamente al corazón. Descubrir la música de Chaplin fue tanto una bendición como quizás el mayor reto que he enfrentado musicalmente. Un vagabundo, un caballero, un poeta, un soñador y un tipo solitario, como él mismo se describió, son fácilmente detectables en sus textos musicales. Mi misión, entonces, fue preservar la exquisita simplicidad de sus conmovedoras melodías”, explica Quint.

 

Para comprar boletos para Charlie Chaplin’s Smile con Philippe Quint, acceda a la boletería virtual de Ticketera y del Centro de Bellas Artes de Santurce. Para información sobre la Temporada 2024-2025 de Pro Arte Musical y/o conocer más sobre las membresías disponibles, comuníquese al (787) 722-3366 o escriba un correo electrónico a: proarte@proartemusical.com. Visite nuestra página web: www.proartemusical.com.


SOBRE LA MÚSICA DE CHAPLIN:


Charlie Chaplin no solo es conocido como un icónico actor y director del cine mudo, sino también como un talentoso compositor. A continuación, algunas curiosidades sobre su faceta musical:

 

1. Composición de "Smile": Una de las canciones más famosas de Chaplin es "Smile", que se compuso para su película "Modern Times" (1936). La melodía se ha convertido en un estándar, interpretada por numerosos artistas a lo largo de los años.

 

2. Música y emociones: Chaplin creía que la música era esencial para transmitir emociones en sus películas. Él mismo compuso la música para muchas de sus obras, asegurándose de que la banda sonora complementara la narrativa visual.

 

3. Premio Oscar: Aunque Chaplin recibió varios premios a lo largo de su carrera, en 1972 recibió un Oscar honorífico por la mejor música original en su película ‘Limeligth’el público lo ovacionó de pie durante 12 minutos, lo que constituye la ovación más larga en la historia de los premios. 


4. Influencias musicales: La música de Chaplin estaba influenciada por su amor por la música clásica y popular de su tiempo; esto se refleja en la variedad de estilos que empleó en sus composiciones.

 

5. Autodidacta: Chaplin no tuvo una formación formal en música, pero su talento innato y su experiencia en el cine le permitieron crear melodías memorables que perduran hasta hoy.


VIDEO: Charlie Chaplin’s Smile con Philippe Quint: https://www.youtube.com/watch?v=Suscc1ipDOU 



SOBRE PRO ARTE MUSICAL:


Pro Arte Musical es la organización sin fines de lucro de mayor antigüedad dedicada a la promoción y difusión de la música clásica en Puerto Rico. Fundada en 1932, con la renombrada pianista Elisa Tavárez como su primera presidenta, Pro Arte Musical ha dejado una huella indeleble en el desarrollo cultural del país por 93 años, cultivando el gusto por el repertorio clásico y promoviendo el acceso a la música de cámara, la ópera y otros géneros clásicos, a la vez que aporta excelencia al ambiente cultural de Puerto Rico al presentar a virtuosos exponentes del jazz, World music y la danza en las principales salas de concierto. Su misión se extiende a la juventud, al ofrecer programas educativos enfocados en su desarrollo musical y artístico.

DANNY RIVERA dedica concierto a las Madres

 DANNY RIVERA dedica concierto a las Madres


(10 de marzo de 2025, San Juan, Puerto Rico) – El cantautor puertorriqueño Danny Rivera regresa con un concierto especial que rendirá homenaje a todas las madres en su día.

“Quiéreme Mucho” es el título de este espectáculo que el intérprete ofrecerá el sábado 10 de mayo a las 8:00 p.m. en Bellas Artes de Caguas.

¡Qué mejor regalo para todas las madres que un concierto de una de las voces más importantes de Hispanoamérica! Danny Rivera se ha distinguido por cantarle al amor a través de más de seis décadas de carrera musical ininterrumpida. Y esta vez, no es la excepción. Tiene preparado un repertorio lleno de éxitos y clásicos de la canción que han resonado melodiosamente en su voz. “Inolvidable”, “Madrigal”, “Sabrá Dios”, “El Mar y el Cielo”, “Quiéreme Mucho”, “El Bardo”, y muchos otros formarán parte de este recital que tiene como propósito honrar a la mujer más importante de nuestras vidas.

Un grupo de extraordinarios y virtuosos músicos puertorriqueños acompañará al intérprete esa noche. La dirección musical estará a cargo del guitarrista y cuatrista Carlos “Pachito” Vega.

Como invitados especiales estarán la cantante yaucana Mónica Plácido y el joven estudiante del Conservatorio de Música de Puerto Rico, Michael Alexis Matos. Además, contará con la participación del afamado requintista mexicano Fernando Flores.

“Regreso a rendir homenaje a las madres con un concierto lleno de canciones inolvidables. Los invito a cantarle a ese ser especial y a disfrutar de una noche maravillosa”, expresa El Bardo de Borinquen, Danny Rivera.

Los boletos para “Quiéreme Mucho” Danny Rivera, El Bardo ya están a la venta en www.ticketera.com. La producción está a cargo de Single Star Productions Corp.

 

Video Danny Rivera en Vivo “Madrigal”

 https://youtu.be/fUeNKADOshM